The Bunker review

A Dialogue with Contemporary art

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7/2/2022 ​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. Symmetry of Standing in a Kitchen in relation to a Witch in the 13th Century (Camp Songs) is a collection of three photographic images, one scan […]

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7/2/2022 ​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. Symmetry of Standing in a Kitchen in relation to a Witch in the 13th Century (Camp Songs) is a collection of three photographic images, one scan […]

Symmetry of Standing in a Kitchen in Relation to a Witch in the 13th Century (Camp Songs) (​Poetry by Andrew Allison)

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Zoe Scruggs, Before We Knew(2022), acrylic on canvas               05/09/2022 Edited by Anna Mirzayan | Photos courtesy of the author  ​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. The 2022 CCS student-curated […]

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Zoe Scruggs, Before We Knew(2022), acrylic on canvas               05/09/2022 Edited by Anna Mirzayan | Photos courtesy of the author  ​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. The 2022 CCS student-curated […]

Constellations of Carcerality in Upstate New York ​(by Shaheen Qureshi)

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04/30/2022 Edited by Anna Mirzayan | You were born good at make die (2022), installation view at Bunker Projects                Photos by Sean Stewart ​​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. […]

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04/30/2022 Edited by Anna Mirzayan | You were born good at make die (2022), installation view at Bunker Projects                Photos by Sean Stewart ​​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. […]

Help and Harm: Untangling Care from Violence​ (by Sidney Mullis)

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Installation view of Lena Chen’s OnlyBans  (2022) 04/17/2022 Edited by Harrison Smith and Anna Mirzayan |  Images by Tom Little​​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. A few weekends ago, I visited the ICA Miller to attend Camopticon Live​ […]

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Installation view of Lena Chen’s OnlyBans  (2022) 04/17/2022 Edited by Harrison Smith and Anna Mirzayan |  Images by Tom Little​​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. A few weekends ago, I visited the ICA Miller to attend Camopticon Live​ […]

You Love the Camera and the Camera Loves You​ (by Elina Zhang)

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“Last Gasp (Grotto for Diana)” (2022), studio view at Bunker Projects     03/23/2022 Edited by Anna Mirzayan |  Images provided by the artist.​​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. Born in Chicago, based in […]

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“Last Gasp (Grotto for Diana)” (2022), studio view at Bunker Projects     03/23/2022 Edited by Anna Mirzayan |  Images provided by the artist.​​The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. Born in Chicago, based in […]

Shades of History and Identity​ Studio Visit by Alana Wu

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