Artist Madison Manning answers the Bunker Questionnaire.

The numinous quality of a sacred world emerges from the space that Pappas provides — timeless, dreamlike, and full of wonder.

Canadian artist Zoë Schneider’s first American exhibit, The Whale, manipulated and repositioned items like fat suits, fat horror masks and inflatable prosthetic bellies to expose society’s fat bias and the objects’ implicit bigotry. Pittsburgh writer, advocate and sex worker Jessie Sage writes about how Schneider’s work impacted her.

Winter 2024 brought a new business venture to Garfield’s Penn Ave Arts and Small Business District: Fernando Quintanar’s Feliz Arbolito, which translates to “happy little tree.”

Finding Alice, a conversation with C. Ryu and Lena Hansen C. Ryu, Alice and Alice: in Freefall (2023-2024), Film Still, 18:22, all imagery was produced by FLIR thermal technology When I saw C. Ryu’s Alice and Alice: in Freefall, I was taken to a place of uncertainty and fear. Lines between fact and fiction blurred […]