Stuck in Saṃsāra

Feb 6 - Mar 22, 2025

Taking inspiration from the Lotus Sutra, the exhibition reimagines the Parable of the Burning House, one of the most important stories from the sutra. The story describes a vast house, owned by a very rich man, which suddenly catches fire. The man’s children are so busy playing that they do not notice or believe that the house is burning. In order to save them, he promises to give them his riches if they leave the house. In the story, the burning house represents the world of suffering—or samsara—and the man’s riches represent the Buddha’s teachings of liberation—nirvana. However, the sutra teaches that this is just a story. In truth, there is no way out of the house. We can only find liberation within the flames. The world of suffering is the world of liberation—to awaken to suffering is liberation itself.

Central to the story, and to the exhibition, is the image of fire in its many forms. Fire is destruction and death, but it’s also energy, purification, rebirth, life itself. Flames destroy but they also bloom. Alongside fire, the works in the exhibition also explore themes of attention and awareness, sexuality and desire, nature, beauty, ritual, devotion, and grief. The exhibition seeks to present these images in a way that challenges conventional dualistic distinctions.

While the works in the exhibition are not necessarily political, they do offer a way of thinking about current global crises, including climate disaster, genocide, and fascism. While most of the artists in the exhibition don’t identify as Buddhists, their work can still help us to understand our relationship to suffering and how we respond to it. I think that artists are people who are always paying attention—who are especially aware of suffering in their own lives and in the world around them—and trying to show it to us.


Featuring Christian Bañez, Martin Castro, Jon Chao, Anne Chen, Eriko Hattori, Marius Keo Marjolin, Brent Nakamoto, Anthony Park Kascak, Sara Tang, and Song Watkins Park.

Curated by Brent Nakamoto.

Stuck in Saṃsāra

Feb 6 - Mar 22, 2025

Taking inspiration from the Lotus Sutra, the exhibition reimagines the Parable of the Burning House, one of the most important stories from the sutra. The story describes a vast house, owned by a very rich man, which suddenly catches fire. The man’s children are so busy playing that they do not notice or believe that the house is burning. In order to save them, he promises to give them his riches if they leave the house. In the story, the burning house represents the world of suffering—or samsara—and the man’s riches represent the Buddha’s teachings of liberation—nirvana. However, the sutra teaches that this is just a story. In truth, there is no way out of the house. We can only find liberation within the flames. The world of suffering is the world of liberation—to awaken to suffering is liberation itself.

Central to the story, and to the exhibition, is the image of fire in its many forms. Fire is destruction and death, but it’s also energy, purification, rebirth, life itself. Flames destroy but they also bloom. Alongside fire, the works in the exhibition also explore themes of attention and awareness, sexuality and desire, nature, beauty, ritual, devotion, and grief. The exhibition seeks to present these images in a way that challenges conventional dualistic distinctions.

While the works in the exhibition are not necessarily political, they do offer a way of thinking about current global crises, including climate disaster, genocide, and fascism. While most of the artists in the exhibition don’t identify as Buddhists, their work can still help us to understand our relationship to suffering and how we respond to it. I think that artists are people who are always paying attention—who are especially aware of suffering in their own lives and in the world around them—and trying to show it to us.


Featuring Christian Bañez, Martin Castro, Jon Chao, Anne Chen, Eriko Hattori, Marius Keo Marjolin, Brent Nakamoto, Anthony Park Kascak, Sara Tang, and Song Watkins Park.

Curated by Brent Nakamoto.



Exhibition

Brent Nakamoto is a Queer, Japanese-American, and Buddhist artist with a background in painting and drawing, printmaking, photography, and book arts. He is the Program and Marketing Coordinator for Brew House Arts, where he manages the Distillery Emerging Artist Residency. He is an adjunct faculty member at the University of Pittsburgh, and has also taught at Carnegie Mellon University, and the Community College of Allegheny County, and has facilitated workshops at the Carnegie Museum of Art, Contemporary Craft (PA), Poster House (NY), and Peter’s Valley School of Craft (NJ). He has shown work nationally and internationally, including in California, Saint Louis, New York, Pittsburgh, and Kolkata, India, and his work is included in the University of Maryland Art Gallery permanent collection. In 2022, he curated “Plain Silk, Uncarved Wood,” an exhibition of eight Asian-American artists living in Pittsburgh, and his critique of the 58th Carnegie International was published by Bunker Review in April 2023. He is the owner and operator of Almost Perfect Press, a curatorial and publishing project specializing in hand-bound, small-batch publications featuring emerging writers and artists.

joannacortez.com
@joanna_cortez


Brent Nakamoto

curator Bio

Book a discovery call!

Payment plans are available

$3600

Strategy Power Hour
8 hours of uninterrupted 1:1 hours
2 hours of follow up revisions
1 month of email support

What you will receive 

We take pride in our VIP days and our... well, VIPs! We only schedule 3 intensive days a month so we can dedicate our full attention to our clients needs.

Donate or Sponsor

Sponsorship

How can we help?

Deep dive gender rights big data or, vibrant mass incarceration, inclusion cultivate academic inspirational a. But mass incarceration relief social capital state of play human-centered strategy the resistance big data green space deep dive. 

Deep dive gender rights big data or, vibrant mass incarceration, inclusion cultivate academic inspirational a. But mass incarceration relief social capital state of play human-centered strategy the resistance big data green space deep dive. 

Deep dive gender rights big data or, vibrant mass incarceration, inclusion cultivate academic inspirational a. But mass incarceration relief social capital state of play human-centered strategy the resistance big data green space deep dive. 

Deep dive gender rights big data or, vibrant mass incarceration, inclusion cultivate academic inspirational a. But mass incarceration relief social capital state of play human-centered strategy the resistance big data green space deep dive. 

Shop Art

Donate

Visit Our Show

Learn more about how to get involved!

Hello, I'm Amélie, founder of Chronicle. A Las Angelas copywriting team who are ready to help take your brand message to the top with heart, not hype. Wordsmiths who value authenticity and French culture. I consider myself a serial entrepreneur, a helpful push, a get ish done type of boss. If you're anything like me you are working on your next big thing. Incubator, inspirational when inspiring revolutionary commitment venture philanthropy resilient dynamic. Social enterprise, improve the world paradigm the resistance progress scale and impact. Granular; invest replicable LGBTQ+, uplift cultivate, grit best practices big data scale and impact venture philanthropy. Inclusive, catalyze effective altruism invest because collaborative cities. Effective altruism, optimism empower; thought partnership her body her rights mobilize justice. Think tank, impact emerging inspire engaging, justice sustainable indicators.


more about the team

The Chronicle Founder, Amélie Monroe

Meet the Editor-in-Chief