Bunker Projects announces the opening of Stuck in Samsara on Friday, February 6, 2026.
Taking inspiration from the Lotus Sutra, the exhibition reimagines the Parable of the Burning House, one of the most important stories from the sutra. The story describes a vast house, owned by a very rich man, which suddenly catches fire. The man’s children are so busy playing that they do not notice or believe that the house is burning. In order to save them, he promises to give them his riches if they leave the house. In the story, the burning house represents the world of suffering—or samsara—and the man’s riches represent the Buddha’s teachings of liberation—nirvana. However, the sutra teaches that this is just a story. In truth, there is no way out of the house. We can only find liberation within the flames. The world of suffering is the world of liberation—to awaken to suffering is liberation itself.
Central to the story, and to the exhibition, is the image of fire in its many forms. Fire is destruction and death, but it’s also energy, purification, rebirth, life itself. Flames destroy but they also bloom. Alongside fire, the works in the exhibition also explore themes of attention and awareness, sexuality and desire, nature, beauty, ritual, devotion, and grief. The exhibition seeks to present these images in a way that challenges conventional dualistic distinctions.
While the works in the exhibition are not necessarily political, they do offer a way of thinking about current global crises, including climate disaster, genocide, and fascism. While most of the artists in the exhibition don’t identify as Buddhists, their work can still help us to understand our relationship to suffering and how we respond to it. I think that artists are people who are always paying attention—who are especially aware of suffering in their own lives and in the world around them—and trying to show it to us.
Featuring Christian Bañez, Martin Castro, Jon Chao, Anne Chen, Eriko Hattori, Marius Keo Marjolin, Brent Nakamoto, Anthony Park Kascak, Sara Tang, and Song Watkins Park.
Curated by Brent Nakamoto.
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