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Rumination on the work of Naomi Chambers by Chenoa Baker Naomi Chambers at Napoleon Jones-Henderson’s studio, 2023 9/18/23 The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of Christine O’Donnell unless otherwise indicated Your […]

The Art of Caretaking

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I Was Never There

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Unclear Sun: Notes on Centa Shumacher’s It is Longing to be Seen by Dani Lamorte

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Tits tits tits tits tits. Tiddies. Big ole tiddies! Tig ol’ biddies. Mommy milkers. BOOBS. Breasts. Jugs. Melons. Knockers. Honkers. Mounds. Salacious solid soft sensual suckable tits.

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4/13/23 Installation view of Amanda Filippelli, Astral (2023), at Alithi Studios The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of Amanda Filippelli. There is no active voice for being born. In the grammar of the […]

The Remembering Room: Impossible Life CyclesReview by Emma Riva

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Notes on 偷偷摸摸 tōutōu mōmōWorkshop facilitated by Elina Zhang for JADED Collective

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The 58th International: Whose America? Review by Brent Nakamoto

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Wanted: a Gay WarholOpinion by Dani Lamorte

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3/1/23 Anne Chen at Bunker Projects The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of Bunker Projects. What do you mean by “material culture” and “bootleg”?I mean the way objects have blurry […]

Anne Chen: Objects and Bootlegs in DiasporaStudio Visit by Alana Wu

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The Shadowy Brightness of Hot HouseReview by Emma Riva

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