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A Dialogue with Contemporary art

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“Floral Methods showcases a polyphonous outpouring of hope and beauty that centers marginalized experiences without flattening them,” writes Izzy Knapp.

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“Floral Methods showcases a polyphonous outpouring of hope and beauty that centers marginalized experiences without flattening them,” writes Izzy Knapp.

Flowers at the Edge of Vision: On ‘Floral Methods’

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Artist Saige Baxter answers our questionnaire.

Saige Baxter
Saige Baxter

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Artist Saige Baxter answers our questionnaire.

The Bunker Questionnaire: Saige Baxter

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Artist Madison Manning answers the Bunker Questionnaire.

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Artist Madison Manning answers the Bunker Questionnaire.

The Bunker Questionnaire: Madison Manning

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The numinous quality of a sacred world emerges from the space that Pappas provides — timeless, dreamlike, and full of wonder.

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The numinous quality of a sacred world emerges from the space that Pappas provides — timeless, dreamlike, and full of wonder.

With ‘High & Mighty,’ Sophia Maria Pappas Crafts an Ebullient Tableau

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Canadian artist Zoë Schneider’s first American exhibit, The Whale, manipulated and repositioned items like fat suits, fat horror masks and inflatable prosthetic bellies to expose society’s fat bias and the objects’ implicit bigotry. Pittsburgh writer, advocate and sex worker Jessie Sage writes about how Schneider’s work impacted her.

Artist Zoe Schneider
Artist Zoe Schneider

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Canadian artist Zoë Schneider’s first American exhibit, The Whale, manipulated and repositioned items like fat suits, fat horror masks and inflatable prosthetic bellies to expose society’s fat bias and the objects’ implicit bigotry. Pittsburgh writer, advocate and sex worker Jessie Sage writes about how Schneider’s work impacted her.

Zoë Schneider’s ‘The Whale’ Pushes Back on Society’s Persistent Anti-Fat Bias

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