“Floral Methods showcases a polyphonous outpouring of hope and beauty that centers marginalized experiences without flattening them,” writes Izzy Knapp.

Artist Saige Baxter answers our questionnaire.

Artist Madison Manning answers the Bunker Questionnaire.

The numinous quality of a sacred world emerges from the space that Pappas provides — timeless, dreamlike, and full of wonder.

Canadian artist Zoë Schneider’s first American exhibit, The Whale, manipulated and repositioned items like fat suits, fat horror masks and inflatable prosthetic bellies to expose society’s fat bias and the objects’ implicit bigotry. Pittsburgh writer, advocate and sex worker Jessie Sage writes about how Schneider’s work impacted her.