The Bunker review

A Dialogue with Contemporary art

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Brent Nakamoto’s group show at Bunker Projects asks big questions about anger, grief and suffering.

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Brent Nakamoto’s group show at Bunker Projects asks big questions about anger, grief and suffering.

Exploring Saṃsāra: Art, Anger, Suffering, and Liberation

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Cortez says her show records direct, indirect and historical efforts and other actions meant to educate and encourage communities to work toward a free Palestine.

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Cortez says her show records direct, indirect and historical efforts and other actions meant to educate and encourage communities to work toward a free Palestine.

A Living Archive of Resistance: Joanna Cortez’s ‘There’s a Hole in the World Where Home Used to Be’

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Welcome to the Bunker Questionnaire, a series in which we ask Bunker Projects residents and exhibiting artists three questions from Marcel Proust’s famous Proust Questionnaire, a survey that purported to reveal a person’s true nature. We hope their answers and the accompanying photos allow you to get to know them and their work a little bit […]

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Welcome to the Bunker Questionnaire, a series in which we ask Bunker Projects residents and exhibiting artists three questions from Marcel Proust’s famous Proust Questionnaire, a survey that purported to reveal a person’s true nature. We hope their answers and the accompanying photos allow you to get to know them and their work a little bit […]

The Bunker Questionnaire: Laura Dudu

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Artist Kathryn Shriver answers our pressing questions.

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Artist Kathryn Shriver answers our pressing questions.

The Bunker Questionnaire: Kathryn Shriver

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There is so much in this show, and every little bit of it is important, intentionally chosen. Each plastic vine, every piece of tactical camouflage and mylar scrap and sculpted dream home and intricate drawing, every orange cat and shining bird and hand-sewn creature, lends itself to the swirl of energy around the gallery, building to something large and powerful, hovering just beyond objective awareness.

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There is so much in this show, and every little bit of it is important, intentionally chosen. Each plastic vine, every piece of tactical camouflage and mylar scrap and sculpted dream home and intricate drawing, every orange cat and shining bird and hand-sewn creature, lends itself to the swirl of energy around the gallery, building to something large and powerful, hovering just beyond objective awareness.

Jen Cooney’s ‘The Tangled Web’ Explores What It Means to Live a Life

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