The Bunker review

A Dialogue with Contemporary art

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2/22/23​ Installation view of Hot House at Bunker Projects The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of Silver Eye. Maximalism is back. Its return makes sense– in a present where everything from work […]

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2/22/23​ Installation view of Hot House at Bunker Projects The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of Silver Eye. Maximalism is back. Its return makes sense– in a present where everything from work […]

The Shadowy Brightness of Hot House​Review by Emma Riva

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1/27/23​ Gavin Benjamin, Christine and Tricia, Greensburg, PA, and the artist (2021) The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of author. At the Westmoreland Museum of American Art, Pittsburgh-based artist Gavin Benjamin has carved out a […]

Some of Us are Invisible to the Rest of the World​Review by Shaheen Qureshi

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1/21/23​ Collage by SJ Powell. The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members.For out latest addition to  The Hand-Off series we present a short, fantasy story by SJ Powell. In Mooncalf, Powell explores the easy excitement of one […]

Mooncalf​by SJ Powell

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12/6/2022​ Katie Rauth, Well laden with things of complacence (detail, 2022). Courtesy of Anna Mirzayan. The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. Take your analogies too far: if the body is a canvas, then the fat […]

Fat.​Review by Dani Lamorte

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11/9/2022 Photos courtesy of here gallery. Jamie Earnest, Cowardice Masquerading as Reason (silence) (2022), installation view. Photo courtesy of here gallery. The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. In Jamie Earnest’s solo exhibition, Good Mourning, at here […]

Black Butterflies: the South’s Mourning and Nostalgia ​​Review by Sean Beauford

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