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by Jenna Peng | I’ve been feeling like I’m back in Florida—a place where I felt no continuity of becoming, yet I went incessantly on. The wetlands, the orange houses, the there-and-back trails with Spanish moss swaying in a single slow motion. My mom loves the moss, like a storybook, she said. I love this […]
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by Jenna Peng | I’ve been feeling like I’m back in Florida—a place where I felt no continuity of becoming, yet I went incessantly on. The wetlands, the orange houses, the there-and-back trails with Spanish moss swaying in a single slow motion. My mom loves the moss, like a storybook, she said. I love this […]
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Holding Still Grounding the personal and political in The Front Yard by Bryan Martello | an essay by Helen Trompeteler | A long time ago, when my partner and I started to seriously imagine a life together, we would daydream aloud about what kind of garden we would have – vegetables at the back, courgettes, […]
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The Imaginative Potential of Everyday objects: Do this while I wait at the Mattress Factory By Cynthia Stucki with Lydia Rosenberg Lydia Rosenberg, installation view of Do this while I wait (2023), Image courtesy of Tom Little The views and opinions expressed in this article are solely those of the author. They do not reflect […]
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Celestial Echoes by Kay Gibson 12/13/23 The views and opinions expressed in this article are solely those of the author. They do not reflect the opinions or views of Bunker Projects or its members. All images courtesy of Bunker Projects. In this addition to the The Hand-Off series, writer and producer Kay Gibson explores techno’s origins in […]
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“Tits: (Re)Disciplining the Gaze,” a presentation by artist Vina Nweke @_muanya_ on their practice and the series of sculptures titled “Tits”. Date streamed: Saturday, Nov. 18th. The “Tits” sculpture series explores the politics of representation, sensuality and the gaze. In their essay “Tits,” published in the Bunker Review’s Hand-Off series, Nweke reflects on their creative process and […]
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